Furthermore, LIFE partnered with renowned southern authors to bring readers insight into the influence of the book and film on American culture and presents a side-by-side chronicle of what Gone with the Wind claims, and what really happened during the Civil War.
This book is as informative and intriguing as it is beautifully illustrated. Related in loving detail are inside stories of the writing and publishing of the novel; the Hollywood frenzy of transforming the book into film, including casting headaches, on-set tensions, and jinxed scenes; the premiere; and the Academy Awards.
There are nearly 1, black-and-white photographs covering day-to-day activities of the classic film's making. Many of the photographs are previously unpublished, some snapshots taken by crew members.
This pictorial essay gives a better view of the infinite details and idiosyncrasies of filmmaking and, specifically, of course GWTW than many a book on the market. However, driven by a maternal interest in her literary firstborn and compelled by her Southern manners to answer every fan letter she received, Mitchell was unable to stay aloof for long.
Gone with the Wind is the best-selling love story ever written. It has sold over twenty-eight million copies around the world since , when it first appeared. It still sells two hundred and fifty thousand paperback copies every year in the United States alone. The book made its writer, Margaret Mitchell one of the best-loved writers in the. Please note that the tricks or techniques listed in this pdf are either fictional or claimed to work by its creator. We do not guarantee that these techniques will work for you.
Some of the techniques listed in Scarlett: The Sequel to Margaret Mitchells Gone with the Wind may require a sound knowledge of Hypnosis, users are advised to either leave those sections or must have a basic understanding of the subject before practicing them. DMCA and Copyright : The book is not hosted on our servers, to remove the file please contact the source url. If you see a Google Drive link instead of source url, means that the file witch you will get after approval is just a summary of original book or the file has been already removed.
Fast Download speed and ads Free! Companion publication to the Harry Ransom Center's exhibition, September 9, January 4, , marking the seventy-fifth anniversary of the film's release. Her sense of Mitchell's style is right on target. The most popular and beloved American historical novel ever written, Gone With the Wind is unparalleled in its portrayal of men and women at once larger than life but as real as ourselves.
As the classic story, first told over half a century ago, moves forward, the greatest love affair in all fiction is reignited; amidst heartbreak and joy, the endless, consuming passion between Scarlett O'Hara and Rhett Butler reaches its startling culmination.
Rich with surprises at every turn and new emotional, breathtaking adventures, Scarlett satisfies our longing to reenter the world of Gone With the Wind.
Like its predecessor, Scarlett will find an eternal place in our hearts. Taking sharp aim at the romanticized, whitewashed mythology perpetrated by this southern classic, Randall has ingeniously conceived a multilayered, emotionally complex tale of her own - that of Cynara, the mulatto half-sister, who, beautiful and brown and born into slavery, manages to break away from the damaging world of the Old South to emerge into full life as a daughter, a lover, a mother, a victor.
Related in loving detail are inside stories of the writing and publishing of the novel; the Hollywood frenzy of transforming the book into film, including casting headaches, on-set tensions, and jinxed scenes; the premiere; and the Academy Awards. But, Scarlett, there's no going back. And this which is facing all of us now is worse than war and worse than prison -- and, to me, worse than death.
So, you see, Scarlett, I'm being punished for being afraid. I know we will! Then, suddenly, they were remote again and she knew with a sinking heart that he had not been thinking about starving. They were always like two people talking to each other in different languages.
But she loved him so much that, when he withdrew as he had now done, it was like the warm son going down and leaving her in chilly twilight dews.
She wanted to catch him by the shoulders and hug him to her, make him realize that she was flesh and blood and not something he had read or dreamed. If she could only feel that sense of oneness with him for which she had yearned since that day, so long ago, when he had come home from Europe and stood on the steps of Tara and smiled up at her. I am afraid of facing life without the slow beauty of our old world that is gone.
Melly and he were always talking such foolishness, poetry and books and dreams and moonrays and star dust. He was not fearing the things she feared, not the gnawing of an empty stomach, nor the keenness of the winter wind nor eviction from Tara. He was shrinking before some fear she had never known and could not imagine. For, in God's name, what was there to fear in this wreck of a world but hunger and cold and the loss of home?
And she had thought that if she listened closely she would know the answer to Ashley. At her tone, he smiled ruefully as though apologizing. I can't make you understand because you don't know the meaning of fear. You have the heart of a lion and an utter lack of imagination and I envy you both of those qualities.
You'll never mind facing realities and you'll never want to escape from them as I do. Ashley, like her, was tired of the struggle and he wanted to escape. Her breath came fast. I do want to escape, too. I am so very tired of it all! Bone tired and I'm not going to stand it any longer. I've struggled for food and for money and I've weeded and hoed and picked cotton and I've even plowed until I can't stand it another minute.
I tell you, Ashley, the South is dead! It's dead! The Yankees and the free niggers and the Carpetbaggers have got it and there's nothing left for us. Ashley, let's run away! I'm tired of working for the folks.
Somebody will take care of them. There's always somebody who takes care of people who can't take care of themselves. Oh, Ashley, let's run away, you and I. We could go to Mexico -- they want officers in the Mexican Army and we could be so happy there.
I'd work for you, Ashley. I'd do anything for you. You know you don't love Melanie --' He started to speak, a stricken look on his face, but she stemmed his words with a torrent of her own.
And I know you haven't changed! I can tell you haven't changed! And you've just said she was nothing but a dream -- Oh, Ashley, let's go away! I could make you so happy. And anyway,' she added venomously, 'Melanie can't -- Dr. Fontaine said she couldn't ever have any more children and I could give you --' His hands were on her shoulders so tightly that they hurt and she stopped, breathless. Have you forgotten it? Can you honestly say you don't love me? I don't love you.
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